Photo: Arnold Newman at Maine Media © Ginette Vachon
The project depicts survivors of Indian Residential Schools; each image is accompanied by a quote from the subject. This portfolio of 10 images covers victims in Canada and the United States. Daniella Zalcman (b. 1986) is a documentary photographer based in London and New York. She is a multiple grantee of the Pulitzer Center on Crisis Reporting, a fellow with the International Women’s Media Foundation, and a member of Boreal Collective.
Congratulations to the finalists: Sophie Barbasch, for her series Fault Line; Daniel Coburn, The Hereditary Estate; Jessica Eve Rattner, House of Charm.
Maine Media Workshops + College would like to thank the jurors of the prize: Philip Brookman, LaToya Ruby Frazier, Jody Quon.
About the Prize:
The Arnold Newman Prize for New Directions in Photographic Portraiture is awarded annually to a photographer whose work demonstrates a compelling new vision in the genre of portraiture. Arnold Newman had an insatiable fascination with people and the physical world around him. In his work he explored the boundaries of portraiture and embodied the spirit of innovation in a form of art that dates back to the beginnings of the photographic medium. He was often heard to say “we make photographs with our hearts and with our minds.” It is with this principle that the Arnold Newman Prize is intended to assist a photographer to continue the pursuit of their work, and serve as a launching pad for the next phase of their career.
The Arnold Newman Prize was established by the Arnold and Augusta Newman Foundation in 2009 to recognize and reward excellence in new directions in photographic portraiture. The annual prize winner receives an award of $20,000 and is acknowledged in New York City with an exhibit and celebration. The winner’s work will also be exhibited at the PhoPa Gallery in Portland, Maine. The prize is funded by the Arnold and Augusta Newman Foundation and administered by Maine Media Workshops + College.
We are thrilled to announce that the winner of the Arnold Newman Prize will be announced at the Opening Night Preview of The Photography Show, presented by AIPAD, on March 29, 2017. Work by the winner and finalists will also be exhibited at AIPAD's The Photography Show, one of the world's most prestigious photography events.
PAST ARNOLD NEWMAN PRIZE WINNERS
|2016 - Sian Davey - Looking for Alice||2015 - Nancy Borowick - Cancer Family||2014 - Ilona Szwarc - Rodeo Girls|
|2013 - Wayne Lawrence - The Black Orthodox||2012 - Steven Laxton - Circo El Salvador||2011 - Jason Larkin - Past Perfect||2010 - Emily Schiffer - Cheyenne River|
ARNOLD NEWMAN AND MAINE MEDIA WORKSHOPS
Arnold Newman began his relationship with Maine in the late 1970’s, traveling from his home in New York City each summer to join a host of other renowned photographers in Rockport, who were teaching at the Maine Photographic Workshops, now known as Maine Media Workshops. For Arnold, Maine was a place of inspiration and rejuvenation and the Workshops a place to see old friends, be immersed in photography and share his work and experiences through teaching. He never came to Maine for just his workshop; it was always a longer stay. For more than thirty years, Arnold and his wife Augusta were vital influences among the Workshops community.
I first met Arnold at the Workshops in the summer of 1990. On a hot summer night, I sat in the crowded Union Hall Theater to listen to his lecture, and see the images illustrating his long and extraordinary life as a photographer. It was a lecture he would give every year, and each year, he would begin by asking the young photographers in the audience if they knew of the notable subjects in his photographs – always imploring that we must know our history, telling his audience, “we learn from the past.”
It would be a very long lecture. Arnold loved to tell stories. His stories are pretty hard to beat – how many people can share with you their personal account of photographing the man responsible for curing polio or, every President since Truman? Photographing Otto Frank, the father of Anne Frank, on the day the Anne Frank House opened to the public or nearly every artist of note in the 20th century? About spending a day with Picasso? Being with Arnold was like being with a walking, talking history book.
I, like so many others in that crowded Union Hall Theater for Arnold’s slide show, was captivated by the way each image appeared to emerge from the innermost essence of the sitter. These were not ordinary pictures of people. Rather, they evinced the spirits of individuals engaged in their various pursuits, their innermost psyches, and their most honest moments. He has provided the world some of the most memorably significant and truest depictions of important figures in the areas of politics, sciences, and of course, the arts. For many admirers of these subjects, Arnold’s are the quintessential images.
During his extended visits to the Workshops, Arnold would act as an unofficial artist in residence. Many would enjoy the company of Arnold and Augusta for meals under the dining tent, where Arnold would regale his listeners with yet more stories. After all, he had a lifetime of extraordinary experiences to share! Frequently, Arnold would ask young photographers to come sit with him and would ask to see their work. On more than one occasion, one of those informal portfolio reviews launched the career of a now well regarded photographer.
Arnold was always a teacher, when he was in the classroom, delivering a lecture, or even just sharing a meal. To learn from Arnold, was to learn from a great master of craft, a visionary photographer and genuinely learned man. He helped many understand, in a most profound way, what it is to be an artist. I am now a teacher. My students know that I do so love to tell “Arnold” stories, stories of my time working with him and to recount his many stories as a way to teach history. To a great extent, it was through these stories that I learned.
The life and work of Arnold Newman have had tremendous impact on the world, on those who know him only through his photographs as well as on those who have had the great fortune to know him personally. He shared with the world his keen observations of the great figures in our history; now, he is a part of that history, and an indelible part of the history of the Workshops.
~ Elizabeth Thomsen Greenberg Rockport, March 2010