Make your own, completely unique marbled paper with Richard Reitz-Smith! Perfect for your next book project!

Paper marbling is a centuries old process that has historically been used throughout the world to add an intense dash of beauty and decorative interest to books and scrolls, but the marbled paper you make in this course will be perfect for any paper based project--from end papers and book covers to notebooks and collage. In just two days, you'll have an incredible stash of one-of-a-kind papers to use in your next project, or to hang on your wall!

This 2-day course will be full of demos, showing students how to make 10 traditional designs, including the chevron, the french curl, and the thistle. You will have your own marbling station, so there will be ample time for practice and experimentation. Students will also take turns making a larger design at a special station meant to accommodate bigger paper. 

Because each student gets to take home their trays, rakes, combs, paint droppers, and instructional handouts, you'll have all the knowledge and materials you need to continue creating and experimenting at home!


Richard Reitz Smith

Richard Reitz Smith, recently, was selected as Book Artist in Residence at Maine Media Workshops + College where he wrote, illustrated, printed and bound a limited-edition abecedary of alliterative haiku. 

Richard received a BFA from Carnegie Mellon University in painting and illustration.  After working for three years developing products for Crayola and Liquitex, he returned to school and earned an MFA in graphic design (Tyler School of Art- Temple University). Then started a five-year tour of universities as an art and design professor which led him to New York City where he taught at Pratt Institute and School of Visual Arts. While doing this, he freelanced as an illustrator and graphic designer for companies like The GAP, Macy's, American Craft Museum, Metlife, Pearson Education and Scholastic. Then he took positions at Clicquot, Inc. and Clinique Cosmetics consecutively.  For Clinique Cosmetics, he managed multi-million-dollar, international, seasonal product and promotional launches as the director of package design-worldwide. For Clicquot, Inc. he was a one-person art department for the wine importer/promoter of Veuve Clicquot, Krug, Bouchard and many other ultra premium wines. 

It was in NYC, that he found and frequented The Center for Book Arts learning much about letterpress and the book as an art form. 

In 2002, Richard moved to Maine. He worked in-house at William Arthur Stationery and Briggs Advertising, then started Design& Smith Creative Ventures, a Camden-based art and design studio focused on creative custom solutions for visual problems. Richard’s work has won awards across a wide-ranging platform like logo and brand development, package design, print collateral, as well as book arts, painting and drawing.  He is comfortable marrying traditional skills with technology and often incorporates handwork into Adobe Creative Suite.   

Also, Richard is co-owner of the Letterpress Studio at Steel House Collaborative in Rockland where he has taught letterpress workshops.

Course Dates

Mar 4 to Mar 5



Class Size