Learn the fundamentals of motion picture cinematography and be introduced to the basic creative and technical properties of film and digital formats.

Learn the fundamentals of motion picture cinematography and be introduced to the basic creative and technical properties of film and digital formats.

In today's film and television production environment, cinematographers work in a variety of acquisition formats. Digital technology evolves continually, while many high-end productions continue to shoot on film. Whether a creative artist elects to tell their story with a film stock or a digital sensor, the basic tools of cinematography include a camera system, an imaging plane, lenses, filtration, and lighting units.

In this workshop, students are introduced to the craft of cinematography through motion picture film and digital still photography. They explore the use of exposure, contrast, color, depth-of-field, and the importance of latitude and dynamic range in the creative process. Through hands-on exercises in the soundstage and on location, students discover the nuances and characteristics of film and digital technologies.

Students learn how to setup, load and operate a 16mm film camera and discuss the film lab process. Footage shot on film is sent off to be processed for review the following week. The week continues with basic demonstrations of DLSR cameras. Students consider framing and composition, the camera's angle and movement, along with the design of the project's shot series and sequences.

The major non-camera related aesthetic tool addressed in basic cinematography is portrait and scene lighting. Students touch upon the fundamentals of lighting portraits and scenes, and address different lighting strategies for film and digital cameras. In this workshop, students will learn how to setup and operate tripods and essential lighting and grip equipment.

Throughout the week an emphasis will be placed on set safety and etiquette. Students will also explore the roles within the camera department of a production. 

Testimonials:

"Great experience"
- Marcus Kronemeyer, San Diego, CA

"Maine Media Workshops is about the whole experience...its got the best of everything...makes me want to come back every year."
- Shisha Guha Thakurta

"This course helped me grow as an artist and as a technician, increasing my knowledge while allowing me room to explore my own impulses."
- Jeremy Steeger, Cambridge, MA

"I feel much more confident in my lighting ability after taking this course"
- Luke Hudgins, Halifax, Nova Scotia

 

Instructors

Mark Raker

 

MARK RAKER is a cinematographer and commercial director who has been creating award-winning film and television programs, and national television spots since the 1980’s, including Peabody Award winning Emmy Award winning “Moment of Impact”, and Rose d'Or winning “Michael Moore’s The Awful Truth”. “A Letter to Elia” directed by Martin Scorsese and Kent Jones, Red Envelope’s “An Unreasonable Man”, Emmy Award winning “Moment of Impact”, and Rose d'Or winning “Michael Moore’s The Awful Truth”.

His network clients include ABC, CBS, NBC, PBS, IFC, TNT, ESPN, BBC, Discovery Channel, History Channel, National Geographic TV, Bravo, Sesame Workshops, The Weather Cannel, and Sundance Channel.

In addition to his automotive expertise with a client list that includes Buick, Cadillac, Chevrolet, GMC, Mercedes-Benz, Nissan, Saturn and Subaru, Mark’s work with beauty and people has been in demand on many campaigns for Kodak, Victoria’s Secret, Splenda, J. Crew, Hello Kitty, Hanky Panky, Avon, Pepsi, Aetna, Bank Of America, Johnson & Johnson, Downy, and dozens more.

Mark currently has films exhibited in museums in New York, Chicago, Minnesota and Seattle. He has served as a judge for film festivals and for the Emmy Awards. He has been featured in the magazine InCamera, and has been a featured speaker for the Film Society of Lincoln Center.

Since 1986 he has been leading cinematography workshops at the New York University School of Professional Studies where he received the NYU Award for Teaching Excellence and the NYU Award for Outstanding Service. Since 2006 he has also served on the faculty of the Maine Media Workshops in Rockport, Maine.

“I have watched movies with love ever since I saw ‘Mary Poppins’ as a kid. I would sneak downstairs after my parents were asleep and watch movies on PBS. It was like being in another world. I began my career as a Lighting Designer for theater but an accident with a drunk driver forced me to take a break. During this timeout I watched every single movie at the rental store, at least once, and when I was ready to work, I was ready for the movies. What a joy to be able to express ourselves through images. A picture needs to communicate the character’s emotion to the audience even if the mute button is on, or they’re from another culture, or if they’re watching a hundred years from now. I love solving these visual problems with the director.”